GLOTZE love obstacles - preferably ones they build themselves. Instead of surrendering to the musical autopilot, they like to build their own hurdles. A playful form of evasion to open up new sonic terrain. With two new releases on Boomslang Records, they show ways to free themselves from self-made entanglements - with ingenuity, playfulness and a dose of self-irony.
GLOTZE III concentrates on the musically specific. The ten pieces by Philipp Martin oscillate in through-composed forms between song structure and serialism. Created in a time of social uncertainty, Brigita Kas and Die Quittung take up this atmosphere lyrically. The “tonality” of some of the titles refers to a need for order, which, however, is constantly being formed anew - open, mobile sound shapes are created between saxophone, bass, synthesizer and drums.
LINE-UP
- Mark Weschenfelder (Saxophon, Clarinet, Composition)
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Jan Einar Groh (modularer Synthesizer)
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Philipp Martin (electric Bass, Composition)
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Philipp Scholz (Drums)
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Pei Ann Yeoh (Violin)
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Brigita Kas (Spoken Word, Text)
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Die Quittung (Spoken Word, Text)
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Christopher Peyerl (Recording, „Off The Road Studio“ )
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Maximilian Trieder (Mixing)
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Frida Claeson Johansson (Mastering)
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Sebastian Gögel (Artwork)