The country was put under lockdown in the spring of 2020. Creative forces became gradually more important when exploring options for culture during this rather grim situation. Christer Falck showed the initiative to arrange a streaming festival from Sentralen in downtown Oslo, and Bjørnstad agreed to participate, which also sparked the start of this new album project. I prepared for a concert in which I thought was to be quite introverted, without any consequences, like an echo from the time we experienced at the time, so often alone only with our thoughts. I asked to get started as quickly as possible, and when I got started, it was for empty halls, with an improvisation. I sat alone in a beautiful ivory hall, with one camera pointed right at me and two covering my sides, alongside microphones where I am used to having them. I only knew that I was supposed to play for five quarters uninterrupted and that the concert would not be as introverted as I imagined. Covid would not stop the music. The music made everything stronger. The grand piano was excellent, Bjørnstad explains.